Taking on My Hobgoblin Update: Painting Large

In this blog post, I shared the story of my inner critic's fear that painting large was "dangerous."

After writing about the subject in my daily journal, and then creating in my art journal, I plunged in and made this 24" x 30" painting.  

I am delighted to report that painting large is in some ways easier than painting small.  It allows freedom of motion as you paint, making sweeping motions more natural.

I started with this fiery orange-red underpainting to employ the power of color contrasts.

Orange and blue are opposites on the color wheel.  When you place them side-by-side, they create a vivid contrast that attracts the viewer's eye and creates a dynamic energy.

The beautiful thing about acrylic paint is that it dries quickly, so you can add layers on top of each other fairly quickly without mixing the two layers of paint.

I explained how I made this crow stamp in this post.

After making an enlarged copy of one of the prints, I transferred the photocopy to the painting using matte medium.

I applied a generous coat of matte medium to the face of the copy, stuck it down to the painting where I wanted it, and then pressed it firmly in place.  As I scraped excess goo out from between the two layers, I was careful not to get any matte medium on the back side of the copy.  That's important.

The next step is to let the matte medium dry.  When it's fully dry, spritz the paper with water and peel back the paper to reveal the image (in reverse).

You'll have to rub the last fibers of paper off of the image, and some parts of the image may come up with the paper if there was an air bubble in that spot.

I touched up a few spots on my crow with black paint.

Mixing matte medium with the acrylic paint allowed me to paint smooth, flowing letters and swirls.

The black & white contrasts appealed to my artist's eye.

As I painted, I tried to listen to the tiny voice of my intuition.  Of course, I had antsy moments in the creative process, wondering if it would all work out.  

We have a saying at my house, "Excite = Life."  If you're getting excited/nervous from time-to-time, then you are living your life fully and not shying from challenges. 

I played around with different designs underneath the crow, but didn't like the first attempt.  I removed the black squiggles with a paper towel wetted with rubbing alcohol, and tried again.

For touch-ups, I put a dab of acrylic paint and a blob of matte medium on an old membership card.  I mixed the two to make a smoother paint.  

Matte medium also slows the drying time of acrylic paint.  I used it after the painting was finished and dried as a clear top coat to protect the painting.

Old credit cards are useful for spreading paint onto a canvas using the broad side.  You can use the corners to scratch back into the paint while it's wet to make texture.

I finished, of course, by signing my name with a Posca paint pen.  

Always sign your work!  

Then place it where you can admire it

I hope you find ways to talk back to your inner critic.  It's incredibly empowering, and you end up with rich artwork!

Copyright Betsy Bangley 2024.  All rights reserved.