Mixed Media Valentines!

Each year when the winter snows fly, I make Valentine's Day cards to give to friends and family.  

 The process always starts with experimentation, ideas, & splashes of brightly colored paint.  I try out a variety of ideas and choose one to make multiple copies of.

This is the final design. The tri-fold card has hearts cut out with an X-acto blade so you can see into each of the interior pages.

Creating Multiples of the Design

Using 12" x 18" pieces of cold pressed watercolor paper, I measured off four-inch strips of the paper and creased it to make it easy to fold the cards after painting.  

I painted the whole paper with the design -- permanent rose watercolor paint and dioxazine purple.  Once the watercolor paint was dry, I added white "snowflakes" in the pink area using white acrylic ink.

Next, I cut each larger sheet of painted paper into three segments (6"X12") and folded each one at the crease marks to make a 4"x 6" card.

I traced & cut a large heart shape from the front page, and a medium heart shape from the middle page.

I painted the final, interior page on all of the cards, beginning with splashes of warm, Azo yellow. I traced a third, smaller heart in the center of that page before painting.

While the yellow paint was still wet, I mixed Alizarin crimson and permanent rose, and filled the rest of the page, letting the colors run together.

I played with splattering paint, too.

Once the paint was dry, I inked in the center heart, and added some finishing touches with a white Posca pen.  I wanted to repeat the white of the snowflakes.

I gave myself the luxury of experimenting with final decorative marks.  I let my intuition lead the way, and discovered that adding wobbly black marks around the purple heart-window set off the white stripes, making them look bolder.

In the center heart, I used an extra-small permanent marker to make playful, vibrant designs.  I loved the result! I discovered that the secret was to slow down and let myself play rather than trying to be perfect.

In fact, I made a mantra of telling myself that wobbly, wonky art is human art.  It's authentic and real, and the antithesis of plastic, AI "creations."  Every time I made a mark in the wrong place, I celebrated my humanness.

I finished up each card by writing the greeting in the inner page, being careful not to let the words show through the heart cut-outs.  

A pencil line traced from a yogurt cup gave me a guide for the words.

I wrote the greeting on the line and set it aside to dry. The last step was erasing the pencil marks.

Now my Valentines are ready to sign & mail!

 Wishing you happy creating and a happy Valentine's Day!

Valentine's Inspired Weekly Planner

Snowed in and making Valentine's cards, I felt the draw of bright pink gouache paint for this week's planner page.  

I love Valentine's Day, making Valentine's cards and hearts in all shades of pink and purple!

Finding the theme, medium or idea that's inspiring to you is the first step.  The next step is to give yourself time and permission to play with that idea or material.  A weekly planner page is a great, low-pressure place to play.

Happy Creating!

Phipps Collage Sketchbook: Final Watercolor Painting

This grand old palm tree elegantly stretches her fronds high & greets you when you first arrive to the central greenhouse of Phipps Conservatory in Pittsburgh.  Seeing her in January made me feel welcome, as if I'd stepped off a jet in Florida.

I painted the old palm tree in my collage sketchbook on a blank page (no background acrylic paint on this one).

I started with a light pencil sketch, then painted the first washes of color.  I practiced making the frond-y texture of the palm leaves with a fan brush on scrap paper before adding them to my painting.

The dark shadows under the palm tree make her lofty tips seem brighter, and set off the pink orchid blooms surrounding her. 

I kept layering in lights and darks until it felt right.  

Colors I used:

Hooker's green for the palm foliage.

Hooker's green plus yellow ochre for the yellowy fronds.

Burnt sienna and yellow ochre for the brick steps and retaining wall.

Permanent rose for the pink orchids.

Hooker's green and permanent blue violet for the dark shadows in and on the palm tree.

Sap green plus Winsor lemon for the touches of yellow-green.


If you're feeling winter's chill and can't escape to a greenhouse, I hope you'll make your own drawing or painting from my reference photo!

Happy Creating! 

Creating in my Collage Sketch Book

You may have seen my earlier posts on creating a painted paper collage sketchbook

here and here.

In this post, I'm sharing a few photos of the process and including the reference photos I took at Phipps Conservatory.

If you're inspired, I hope you'll make drawings and paintings from my reference pics!

I've always loved this little statue, and especially delighted in the sash of dried flowers she's now decorated with.  I started with a pencil drawing on a blank page.

I added in watercolor greens to the background, with yellow-green first.  When the first wash of green dried, I mixed a dark green with phthalo blue and burnt sienna.  I added a touch of permanent blue violet to make extra dark shadows.

It was fun to make shadowy leaves and then to use the shadows to "carve" lighter green leaves (bottom right area).

With the background done, I mixed a pale violet for the shadows on the statue.  

I wanted to show that she was made of stone, so I kept the colors cool and desaturated by mixing permanent blue violet with a touch of yellow ochre.  The yellow muted the purple's brightness.

I splashed in Azo yellow, permanent rose and permanent blue violet to the sash for the dried flowers.  I added a few touches of the warm Azo yellow to the background to unify the page.

I drew these orchids in with Posca paint markers.

Here is some gorgeous foliage with striking patterns.  I used a Stabilo All pencil for the dark markings on the leaves.

Here's a yellow orchid I drew with Neocolor II watercolor crayons and the Stabilo All pencil

The bold magenta color of these begonias caught my eye.  It was fun to mix the Posca marker colors to try to recreate that shade of pink. I love how the green from the painted paper page shows through in spots & contrasts with the pink.

I love the gnarly trunk and twisted limbs of this bonsai tree.  But there was very little contrast between the tree and the background.

I used the filters function on my phone's photo editor and turned the color photo black and white, then turned up the contrast.

I used both photos as references for this drawing.

Adding in the trunk first with Neocolor II watercolor crayons, I created foliage with Posca paint markers.

I found that having these painted papers made the process of drawing so much less "scary."  I realized that fear of the blank page is a real force holding me back from creating. 

Splashing paint on paper in a messy, no-pressure way is fun in itself, AND it helps me to jump into drawing faster.  Win-win!

I hope you give this technique a try!

Happy Creating!

My Finished Collage Sketchbook!

Recently, a friend and I had a winter sketching session at Phipps Conservatory, an indoor botanical gardens in Pittsburgh, PA.  I made special collage sketchbooks for us to use, and have just finished filling mine with art from that day.  Here's the video showing a flip through of my completed book!

If you'd like to see how I made the journals, check out my earlier YouTube video, 

Collage Sketch Book

https://youtu.be/Fwd8SNEjU-I?si=tFIzVyOsGbP0pSy5

 I hope this inspires you to make your own collage sketchbook and to fill it with art!

Happy Creating!

Collage Calendar Page

After creating a stack of green painted papers for my collage sketchbooks, I had loads of leftovers.  They made wonderful elements in my weekly planner.

 The thing I love about collage art is that I never have to hone the artwork to a place of "perfection" as there is no perfect.  I pick out a paper that interests me; I get an idea of somewhere to place it; I try it in that spot, and either I like it or I don't. 

If I feel the glow of liking it, I glue the paper down; otherwise, I try something else. 

It's a wonderful game I play with my intuition.  You might think of it as a meditation on listening to your intuition, and that having an artwork at the end is a bonus.

In the dreary gray of winter, playing with colorful pieces of paper can really brighten your spirit.  I hope you'll give collage a try!

Happy Creating!

Collage Sketchbook

I was planning a visit to Phipps Conservatory with my friend, and wanted to make a special sketchbook filled with painted pages for each of us with splashes of green paint. 

I've been enjoying videos by artist Rebecca Chapman like this one about making collage papers to use in her vacation sketchbook.  She reasons that having painted papers helps to circumvent fear of the blank page and help her make more art.

Above is a video describing how I made the collage papers, with a flip through of each book. 

I hope you try this technique!