Wednesday, January 28, 2026

Valentine's Inspired Weekly Planner

Snowed in and making Valentine's cards, I felt the draw of bright pink gouache paint for this week's planner page.  

I love Valentine's Day, making Valentine's cards and hearts in all shades of pink and purple!

Finding the theme, medium or idea that's inspiring to you is the first step.  The next step is to give yourself time and permission to play with that idea or material.  A weekly planner page is a great, low-pressure place to play.

Happy Creating!

Thursday, January 22, 2026

Phipps Collage Sketchbook: Final Watercolor Painting

This grand old palm tree elegantly stretches her fronds high & greets you when you first arrive to the central greenhouse of Phipps Conservatory in Pittsburgh.  Seeing her in January made me feel welcome, as if I'd stepped off a jet in Florida.

I painted the old palm tree in my collage sketchbook on a blank page (no background acrylic paint on this one).

I started with a light pencil sketch, then painted the first washes of color.  I practiced making the frond-y texture of the palm leaves with a fan brush on scrap paper before adding them to my painting.
The dark shadows under the palm tree make her lofty tips seem brighter, and set off the pink orchid blooms surrounding her. 
I kept layering in lights and darks until it felt right.  

Colors I used:

Hooker's green for the palm foliage.

Hooker's green plus yellow ochre for the yellowy fronds.

Burnt sienna and yellow ochre for the brick steps and retaining wall.

Permanent rose for the pink orchids.

Hooker's green and permanent blue violet for the dark shadows in and on the palm tree.

Sap green plus Winsor lemon for the touches of yellow-green.


If you're feeling winter's chill and can't escape to a greenhouse, I hope you'll make your own drawing or painting from my reference photo!

Happy Creating! 

Tuesday, January 20, 2026

Creating in my Collage Sketch Book

You may have seen my earlier posts on creating a painted paper collage sketchbook
here and here.
In this post, I'm sharing a few photos of the process and including the reference photos I took at Phipps Conservatory.
If you're inspired, I hope you'll make drawings and paintings from my reference pics!
I've always loved this little statue, and especially delighted in the sash of dried flowers she's now decorated with.  I started with a pencil drawing on a blank page.
I added in watercolor greens to the background, with yellow-green first.  When the first wash of green dried, I mixed a dark green with phthalo blue and burnt sienna.  I added a touch of permanent blue violet to make extra dark shadows.

It was fun to make shadowy leaves and then to use the shadows to "carve" lighter green leaves (bottom right area).
With the background done, I mixed a pale violet for the shadows on the statue.  

I wanted to show that she was made of stone, so I kept the colors cool and desaturated by mixing permanent blue violet with a touch of yellow ochre.  The yellow muted the purple's brightness.
I splashed in Azo yellow, permanent rose and permanent blue violet to the sash for the dried flowers.  I added a few touches of the warm Azo yellow to the background to unify the page.

I drew these orchids in with Posca paint markers.
Here is some gorgeous foliage with striking patterns.  I used a Stabilo All pencil for the dark markings on the leaves.

Here's a yellow orchid I drew with Neocolor II watercolor crayons and the Stabilo All pencil

The bold magenta color of these begonias caught my eye.  It was fun to mix the Posca marker colors to try to recreate that shade of pink. I love how the green from the painted paper page shows through in spots & contrasts with the pink.

I love the gnarly trunk and twisted limbs of this bonsai tree.  But there was very little contrast between the tree and the background.
I used the filters function on my phone's photo editor and turned the color photo black and white, then turned up the contrast.
I used both photos as references for this drawing.
Adding in the trunk first with Neocolor II watercolor crayons, I created foliage with Posca paint markers.
I found that having these painted papers made the process of drawing so much less "scary."  I realized that fear of the blank page is a real force holding me back from creating. 
Splashing paint on paper in a messy, no-pressure way is fun in itself, AND it helps me to jump into drawing faster.  Win-win!

I hope you give this technique a try!

Happy Creating!

Sunday, January 18, 2026

My Finished Collage Sketchbook!


Recently, a friend and I had a winter sketching session at Phipps Conservatory, an indoor botanical gardens in Pittsburgh, PA.  I made special collage sketchbooks for us to use, and have just finished filling mine with art from that day.  Here's the video showing a flip through of my completed book!

If you'd like to see how I made the journals, check out my earlier YouTube video, 
Collage Sketch Book

 I hope this inspires you to make your own collage sketchbook and to fill it with art!

Happy Creating!

Saturday, January 17, 2026

Collage Calendar Page

After creating a stack of green painted papers for my collage sketchbooks, I had loads of leftovers.  They made wonderful elements in my weekly planner.

 The thing I love about collage art is that I never have to hone the artwork to a place of "perfection" as there is no perfect.  I pick out a paper that interests me; I get an idea of somewhere to place it; I try it in that spot, and either I like it or I don't. 

If I feel the glow of liking it, I glue the paper down; otherwise, I try something else. 

It's a wonderful game I play with my intuition.  You might think of it as a meditation on listening to your intuition, and that having an artwork at the end is a bonus.

In the dreary gray of winter, playing with colorful pieces of paper can really brighten your spirit.  I hope you'll give collage a try!

Happy Creating!

Saturday, January 10, 2026

Collage Sketchbook


I was planning a visit to Phipps Conservatory with my friend, and wanted to make a special sketchbook filled with painted pages for each of us with splashes of green paint. 

I've been enjoying videos by artist Rebecca Chapman like this one about making collage papers to use in her vacation sketchbook.  She reasons that having painted papers helps to circumvent fear of the blank page and help her make more art.

Above is a video describing how I made the collage papers, with a flip through of each book. 

I hope you try this technique!

Friday, January 9, 2026

Winter Nature Journal: A Deer Friend

Last autumn, we noticed a particularly friendly young deer who was unafraid of us.  As I hiked our farm, I'd often encounter this guy.  When the other deer ran off, he lingered. I always kept my distance, but was charmed by his curiosity.

Hunger brought him up close to the house to eat where other critters didn't dare, giving me good photo opportunities.
This winter, he's been visiting my birdfeeding station and dining on sunflower seeds, so I decided to include him in my nature journal.

Here's the reference photo I used for my drawing.
I started with a graphite pencil sketch, then inked in the lines and added color with my Derwent Drawing Pencils.  I touched in some spots --his ears & around his eyes -- with a Posca paint marker that I wanted to be bold white.
 
I hope you'll use these reference photos to make drawings and paintings.

Happy Creating!