Fall has arrived and the colors are reaching their peak in my neighborhood. I gather up brilliant leaves on every walk.
Here are yesterday's leaves.
I picked out three sassafras leaves that drew my eye, and made pencil sketches of each, then laid in a wash of azo yellow and let it dry. This technique, called glazing, creates glowing, rich colors when you paint other layers of color over top.
After the yellow wash dried, I drew in the leaf veins with a white wax crayon to create a resist and keep the veins yellow. I brushed in layers of oranges made from azo yellow mixed with either alizarin crimson or pyrrol red. I added table salt to some of the wet washes and let it all dry.
After the salt completely dried, I brushed it off and added some final marks. The salt didn't have a big effect on the washes. I think the paint had begun to dry and wasn't at its best point for this trick.
I love adding the little spots where a bug chewed the leaf, etc. These create a more realistic appearance.
Autumn leaves are a wonderful subject to draw and paint -- they're small, beautiful and endlessly fascinating. And it's such a human habit to gather natural treasures, especially in the fall harvest season. A walk in nature with some creative time is a lovely way to slow down and practice self care.
I hope you take some time to create with fall leaves!




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love it
ReplyDeleteI'm so glad you mentioned using a white wax pencil as a resist for the veins. I sketched an oak leaf today and then used watercolors to fill it in, but I was stumped when it came to making the lighter veins. I'll try the wax crayon, thanks!
ReplyDeleteGlad this tip was helpful, Janet! You could also use a white colored pencil to add in the veins after the watercolor dries. Happy leaf painting!
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