Summer Morning Painting

In an earlier post, I mentioned the trick of taking a walk and finding views to paint. The scene above is one of those spots found on a morning walk.

Planning ahead saves time, and you know just what to carry with you. I brought my pochade box, my Strathmore Visual Journal nature journal, paints, water and brushes. The pochade box allows me to work flat, an important trait for watercolor painting.

I took the photo above to use as a reference in case I didn't finish outdoors.

I also used the photo to help me to see the shadows in the scene more clearly.  Shadows can have nuanced lighter and darker areas.  They can vary from light shadows with dappled spots of light to deep, dark holes. Our eyes are naturally drawn to areas of high contrast, so these are good to incorporate into your paintings to draw the viewer's eye in.

It always amazes me how much I can see in a photo that I didn't see in person.  I encourage you to use a photo to help you see the values in your scene, but paint in person so you get the freshness of the landscape.

Happy Creating!

Nature Journal: Morning Light

These late summer mornings filled with light and robust plants inspire me.  When I walk, I keep a lookout for beautiful scenes like the one above, and return with my art supplies.

I set up my pochade box one steamy summer morning. I made a quick pencil sketch to lay out the scene, then washed in Winsor lemon mixed with a touch of sap green, working around the white Queen Anne's Lace blooms and leaving those spots unpainted.  

I built up layers of different greens, using French ultramarine blue mixed with Winsor lemon for the shadowy hedge in the background, and a variety of warm & cool greens for the weeds in the foreground. 

I recommend taking a walk, scanning the landscape around you for possible compositions. Make a list of scenes or take a photo of each, and make plans to come back with your art supplies. 

When you work in a sketchbook or nature journal, you're free to create anything you like.  No pressure.  If you don't like the end result, turn the page and start fresh!

Happy Creating!

If at First You Don't Succeed, Try, Try Again!

It's the season of Plein Air painting, or painting outdoors in the fresh air.

Inspired by this scene on my farm, I set up my watercolor paints & pochade box.

I started with a sketch in pencil, added India ink, and then layered in washes.  

But when the painting was done, I didn't like it! Too many details competed with each other to attract your eye!  The background trees were so detailed, the whole thing looked like camouflage.  I tried to simplify the background by laying in a darker wash, but the result was cartoonish.

Of course, there are parts I love, like the little greenhouse and the dead tree, but as a composition, it just doesn't work.

As hard as that is to accept, there is power in looking critically at your own artwork.  When you see precisely what you don't like -- too many details -- you can create another painting and fix that problem.

Here's the second version of this scene.

I worked quickly, sketching in only the greenhouse angles lightly with pencil.  I abstracted the background trees into light and dark patches, and took out the dead tree because it competed with the greenhouse. 

When you're painting with watercolor, having a plan going in helps tremendously!  And when painting landscapes, the first step is to abstract all of those details, and pick what is most important to you -- what draws your artist's eye?

Allowing yourself several paintings to develop your ideas is freeing.  

Harsh self judgement is a lead weight on our creativity, but looking at our artwork with a discerning eye for what we love and what isn't successful gives us the power to improve.

Remember: Every painting teaches you something.

Do you have a painting that didn't work?  Why not make a plan for how you'd like to fix it? Hard won success feels uplifting and leads to more discoveries.

Happy Creating!