Showing posts with label Beginner's Pencil Drawing Class. Show all posts
Showing posts with label Beginner's Pencil Drawing Class. Show all posts

Monday, March 9, 2026

Creating Depth in Your Drawings

When we draw, we are trying to fit a 3-dimensional world onto a 2-dimensional surface.  It's quite a trick when you think about it.

Here are a few tips to help create the magic of depth in your drawings.

Overlapping 

When one object overlaps another, it's obviously in front.  You can see that happening in the drawing of apples on a table above.

Relative Size

Notice how the closest apple appears much larger than the distant apples.  This works from still life drawings to landscapes.  You can check it by measuring the apparent width of the near apple and comparing that measurement with the width of one of the distant apples.

Softening Edges & Contrast

We see softer edges and less contrast in objects that are farther away.  Notice how the little shed has crisp edges and high contrast, but the more distant trees are really just shapes without much detail, and the far hill is reduced to a single tone.
The photograph of the scene shows this clearly, but we can also exaggerate the effect in our drawings if we want to create more depth.

Converging Lines

Notice how the little lane is quite wide at the bottom of the frame, and narrows until the sides seem to almost touch towards the top of the drawing.  Parallel lines converge as they move towards the horizon.
Here's the reference photo for this drawing.  You can also see how the little trees to the right of the lane get smaller and closer together as they get more distant.

You see more detail in the nearest part of the scene -- the weeds at the bottom right & the tree shadows over the lane, vs the single tone for the distant forest and the simplified trees near the top of the hill. 

Foreshortening

Foreshortening can be maddening at times.  
You see something coming towards you (or receding away from you), and your brain believes it knows how to draw that simple object.  Yet, when you draw what your brain tells you is right, it looks wrong!

You might be drawing a simple object, but from a complicated perspective.  It's important to trust your eyes.  Look carefully!

Remember that the closest parts of the object will appear much bigger than you expect.  I drew the close end of the baguette 2x the size of the distant end.  You can measure this with your pencil or other straightedge, even a ruler if you like.   Measure it yourself on the photo below.

 Here's a post from another artist about how artists measure the things they draw using the pencil & thumb method:
Notice the way lines converge.  
You can hold your pencil in the air in front of you and rotate it like the hands of a clock to get the correct angle, then lay the pencil on your paper in that angle and make a quick line to help you see where the line you draw should really go.

Remember that the foreshortened view shows you a compressed view of something.  
For instance, long loaves of bread will appear much shorter than you expect. Measure the width of the broken end of bread. Now compare the width to the length of that loaf.  I find that the length of the bread is almost 2x the width of the bread -- much shorter than you'd expect.

Negative space shapes.

 We call the area around the subject the negative space.  When you look at the shadows and shapes around the object you're drawing, it helps you to see the true shape of the foreshortened object.  You can compare these negative space shapes with the corresponding shapes in your drawing to make sure you got the shape of the object right.  

For instance, notice the V-shape between the two baguettes in the photo above. Notice that I got the distant V-shape between the loaves right in my drawing, but not the V-shape closer to the front.  It's easy to make mistakes. Double checking the negative space shapes helps you make a more accurate final drawing.

These negative space shapes help you to see if you've drawn the foreshortened object right.  If you have the same shape in your drawing, it's right! 

Foreshortened objects look weird!
Remember, after you get done with your drawing, the foreshortened object may still look weird.  Foreshortened views look strange.  Do the best you can; then take a break!
Come back a little later, and your drawing may look more natural to your eye.

Remember that all of these techniques take time and practice.  The more you draw, the more you learn.  I hope these techniques help you to create a sense of depth in your drawings!

Happy Creating!

Tuesday, February 24, 2026

Mark Making Practice in Beginner's Pencil Drawing Class

A good book can inspire us to get sketching.  These pages were inspired by Pencil Drawing by Arthur Guptill (more on this book here).  I followed the book's mark making exercise as a warm-up, and felt inspired especially by the marks with varying pressure (top right of the page above).
It can help to reduce the fear of the blank page to start off with mark making, and copying another artist's work is even easier.  Even though in school we've been trained not to copy someone else, copying in art (as long as you give credit to your source) is an important part of learning.
Find an artist you admire and make a copy of their drawing, their marks, even a portion of an artwork.  This process will build your drawing skills and help you to see new ways to solve conundrums in turning a three-dimensional world into a two-dimensional drawing.

 Happy Creating!

Monday, February 23, 2026

Beginner's Pencil Drawing Sketches

The world is full of beauty, and in Beginner's Pencil Drawing, we find ways of seeing & drawing it in our sketchbooks.  
We've just embarked on a new series of Pencil Drawing classes at the Community College of Beaver County, and we're having fun exploring the world with our pencils.

The homework this week is to draw your breakfast or to draw a small piece of your life, daily if possible, even for 5-10 minutes.  When your materials are a few drawing pencils and a sketchbook, it's easy to jump right into making art.
The morning after our first class, I sat at the breakfast table, intending to draw eggs and veggie sausages, but these flowers called out to be sketched.  I started by drawing the scene before my eyes.  

I took the above photo to allow me to put more detail in the drawing after the breakfast dishes were cleared away and the light had changed. In my phone's photo editor, I translated the color photo to black-and-white using a filter.  This helps to clearly see the values in the scene.
I started the sketch with a 2B graphite pencil.

Simple marks lightly laid down were the beginning, and I held the sketch at arm's length to check it now and again.  I began adding tone with a 10B pencil once I felt satisfied with the general layout.
I wanted to show the light values of the lily by creating the darker tones around the flower.
All of the shapes of the other flowers around the lily were interesting to my artist's eye.  It was fun adding in darker values and suggesting the shapes of mums, daisies and leaves.
I took a break from drawing, and when I looked at the photo above, I realized that I wanted to add more dimension to the lily.  It looked flat.

I darkened the values around the lily.  I liked the way this popped the lily forward.  Then I added a few dark spots within the lily, unifying the composition.

Looking at a photo of your artwork or simply stepping back from it lets you focus on the whole composition and assess what needs work.  Or what needs to be celebrated! Sometimes you step back and see that something beautiful has developed.  Make sure to be open to that possibility.

Remember that the more you sketch, the more opportunities for discoveries you create. Each sketch -- whether you love it or don't --builds your drawing skills.

Happy Creating!


Tuesday, January 6, 2026

New Year, New Classes!

Here's the schedule of my latest classes. You don't need any art experience to join me and find joy, self-expression and community in my art classes. I offer in-person classes, and talk you through every step of the creative process.

I hope you'll join me for one of these upcoming continuing education classes at the Community College of Beaver County!

Beginner's Pencil Drawing

Mondays, Feb. 16, 23, March 2 & 9, 2026 from 6-9 PM
$109
Make a fresh start in 2026 with this versatile & portable art form. Instructor Betsy Bangley will lead you through a series of activities designed to help you learn how to capture the world around you with a pencil on paper. We’ll start by playing with our materials to find out how to make a variety of marks, lines and shading types, move on to sketching everyday objects, and build up to exploring perspective and textures. Discover a new way to express yourself, and embark on an art adventure!
Or by phone: 724-480-3575

Pencil Drawing: Color and Shading

March 16, 23,30 & April 6, 2026, 6-9 PM
$109
This is an extension of our 4-week Beginner’s Pencil Drawing class, and is open to all. Would you like to advance your drawing skills? Perhaps you’re a beginner who would like guided practice. Jump into drawing fruit with colored pencils, creating portraits, and exploring more exciting drawing projects with Betsy Bangley. Whatever your skill level, you will gain drawing ability through working in this supportive group and practicing weekly.
Or by phone: 724-480-3575

Watercolor Leaves and Florals (Botanicals)

April 4,11,18 & 25, 2025 10 AM to 1 PM
$109
Join Betsy Bangley for a relaxing course in watercolor florals. Paint away your stress, and learn brush strokes, color mixing and layout ideas to create beautiful flowers and leaves. Use your new skills to decorate journal pages, stationary, and framed art, or simply create for the joy of painting. 
All materials are provided.

I hope to see you in one of these classes!

Or by phone: 724-480-3575

Monday, October 27, 2025

Autumn Still Life in Pencil

A great way to build your drawing skills is to set up a collection of objects you find appealing and then draw or paint them.  I'm currently teaching Beginner's Pencil Drawing at the Community College of Beaver County, where each week we set up still life scenes like this one and draw them. 

The subject of this still life is texture. With only graphite pencils, we can express the shiny texture of a teapot, the woven sides of a basket, the grainy nature of wood, the papery husk of an onion, and the grooved surface of a pumpkin, all with mark making.
I used a 4B and a 6B pencil, a tortillion, also called a blending stump, and a kneaded eraser.  The tortillion is simply a pencil-shaped blender made of rolled up paper.  It has no lead of its own, but when you rub it over pencil marks, it smudges them to create a smooth, uniform area of value.  It's a little like painting with graphite.
Sometimes, it's hard to discern the values in a scene.  I "cheat" and take a photo, then edit it using the filters on my phone to turn the scene into a black and white image.  This technique helps me to see the relative values in an orange pumpkin, a brown teapot, and a burgundy onion.
I encourage you to set up your own still life scene and draw it.  It might feel more challenging to draw from life, but you'll get a more vibrant drawing.  And it's great practice to help you with seeing values, and observing shapes, depth, & details. 

When you set up your still life, place it by a window or find one single light source.  Otherwise, you'll have a confusing array of shadows -- one from each light source.  I happened to be lucky enough to have a sunny day and a south-facing window.  A desk lamp will serve if you don't have any sun!

Happy Creating!

Friday, September 12, 2025

Community College of Beaver County Continuing Ed. News!


I was delighted to open CCBC's  Fall 2025 Continuing Education Course Guide and find myself on page 12. 

I'm honored to have my classes featured, and hope you'll join me this fall for Beginner's Pencil Drawing and Pencil Drawing: Color and Shading!

You can register for these classes by following this link:

https://ccbc.coursestorm.com/

Then click on "Arts" under "Beaver County Classes."

I'll be in the studio to welcome you on the first day of classes, Monday, October 6th.

Hope to see you there!

Monday, February 17, 2025

Draw Your Breakfast Challenge

 

In my Beginner's Pencil Drawing Class at CCBC, I assigned homework to keep us all drawing during the week.  This week, we have drawn our breakfasts.

Because I don't like to wait to eat until I've finished drawing my breakfast, I snapped photos each morning, and drew from the reference photos.


This project made picking out breakfast more fun!  The bagel was my favorite breakfast to draw, but these cherries were fun, too!

And the iron skillet full of sausage and eggs is a classic.
What do you like to eat every morning?  Try drawing it at the breakfast table.  
You'll be surprised how good it feels to start your day with drawing.  
Most breakfast foods are mushy (oatmeal), blobby (scrambled eggs) or formed into simple shapes like berries, fruits, eggs and sausages.  It's a great way to be creative and feel accomplished before you leave the breakfast table.  And much better for your digestion than doom scrolling!

Happy Creating!

Monday, October 14, 2024

Pencil Drawing Class: Your Eyes are Your Most Important Tool!

We had a wonderful first session in Beginner's Pencil Drawing class, testing out our supplies and trying out techniques.
I asked everyone to bring in a small object they loved, and we tried drawing it from memory first (my demo is below), then drawing it from observation (above).
What a huge difference using our eyes made in seeing the real form and details!
This was my object - a piece of wood that looks like an award a fairy might give a child for swiftly racing down a woodland trail.
We also played with blind contour drawing to connect our eyes and hands.  We only looked at the object we were drawing, and never at our papers.  The result?  Weird drawings, yet within the chaos were real, alive lines describing part of what we drew. Below is my blind drawing of a feather.
After the blind drawing, we were all practiced up, and allowed ourselves to steal quick glances at our papers so that we could align everything in a more organized way.

Many thanks to my students for their willingness to try new things and for their enthusiasm!
Looking forward to our next class!

Happy Creating!

Friday, March 8, 2024

Pencil Sketches

Between teaching Drawing in the Museum for Osher at CMU, and Pencil Drawing for CCBC, I've been spending a lot of quality time with just a pencil and a sketchbook.
You can express a lot with a simple pencil -- light & shadow, shape & texture -- all in the way you make your marks and how heavily you lay down the graphite.
These first 4 drawings are from the Carnegie Museum of Natural History in Pittsburgh -- from the Hall of North American Wildlife, Polar World, and the last two are from the Hall of Botany.
The best approach is to pick something that really attracts your eye, and then make a game of exploring different ways of drawing it.  Being experimental is key to relaxing and making discoveries.

One day after class, David & I ate at the museum cafe. I sketched these two people quickly.
The first fellow was outside waiting for a bus and looking at his phone, and the woman below was dining in the cafe.
The cat below was drawn from a photo one of my Pencil Drawing students brought in, and we both tried turning our sketchbooks and the photo upside down.  It was a really useful trick to help us see the shapes in this foreshortened view of her old friend.
Remember, it doesn't take much.  Grab a pencil and some paper, and start sketching whatever catches your eye.  If you do this regularly, you will make great discoveries and build your drawing skills with every sketch.

Happy Sketching!






Copyright Betsy Bangley 2024. All rights reserved.