Drawing in the Museum: Discovery Basecamp

We spent our final class in an area designed for children and classes -- Discovery Basecamp. The area provided plentiful seats and taxidermied birds and mammals in lightweight plexiglass boxes.

In short, the perfect environment for drawing natural history specimens up close.

And surprisingly few toddlers and preschoolers rambled through while we were sketching.

Near Discovery Basecamp we explored an exhibit entitled The Art of the Diorama.  That's where I fell in love with this Northern Raven and drew its portrait.

During the cold, gray days of winter, a museum is a wonderful place to sit and sketch.  And to stretch your legs.  The walk between exhibits, to different floors, etc. is both beautiful and healthful.  I enjoyed having room to roam without slipping on ice!

Happy Creating!

Adding Bright Colors to Black and White Drawings

I'm teaching a class called "Drawing in the Museum" for Osher at Carnegie Mellon University.  We meet in the Carnegie Museums of Art and Natural History in Pittsburgh.

We've been drawing with graphite pencils on white paper. 

But the winter has been gray, and I wanted to jazz up our drawings a bit.

 I created a stack of colorful papers and brought black and white Prismacolor colored pencils.

We still drew with only black and white, but the brightly painted papers added another layer of pattern, color and interest.

Here is Anita, one of my students, and her drawing of some crystals from the Hall of Minerals. The painted paper allowed her to show white crystals well, including the direction of the grain within them.

Below is a photo I took of two types of Quartz crystals in the Hall of Minerals...

...and my own drawing.

Fossils from Lyme Regis, England.

Fig leaves from my potted fig tree.

I painted a variety of colors and designs on Canson 140# watercolor paper with Dr. P.H. Martin's Liquid Watercolors.  

I let the first side dry, then flipped it and painted the other side.

It was uplifting just to paint with highly saturated, colorful paints.

One of my students said that the papers looked like Northern Lights!

After the paint was dry, I folded each sheet in half to make a 9" X 12" booklet for my students to draw on.

This is a great way to make sketching more of a game. 

 You can also paint splotches of color on sketchbook pages and let them dry.  When you take the sketchbook out, the colorful pathces help to reduce the fear of the blank page -- because it's not blank anymore.  

All you need is a black and a white colored pencil.

Happy Creating! 

Pencil Sketches

Between teaching Drawing in the Museum for Osher at CMU, and Pencil Drawing for CCBC, I've been spending a lot of quality time with just a pencil and a sketchbook.

You can express a lot with a simple pencil -- light & shadow, shape & texture -- all in the way you make your marks and how heavily you lay down the graphite.

These first 4 drawings are from the Carnegie Museum of Natural History in Pittsburgh -- from the Hall of North American Wildlife, Polar World, and the last two are from the Hall of Botany.

The best approach is to pick something that really attracts your eye, and then make a game of exploring different ways of drawing it.  Being experimental is key to relaxing and making discoveries.

One day after class, David & I ate at the museum cafe. I sketched these two people quickly.

The first fellow was outside waiting for a bus and looking at his phone, and the woman below was dining in the cafe.

The cat below was drawn from a photo one of my Pencil Drawing students brought in, and we both tried turning our sketchbooks and the photo upside down.  It was a really useful trick to help us see the shapes in this foreshortened view of her old friend.

Remember, it doesn't take much.  Grab a pencil and some paper, and start sketching whatever catches your eye.  If you do this regularly, you will make great discoveries and build your drawing skills with every sketch.

Happy Sketching!

Copyright Betsy Bangley 2024. All rights reserved.

 

Drawing in the Museum

I'm teaching a course for Osher at CMU called Drawing in the Museum.  We meet in the Carnegie Museums of Art and Natural History each week and tour one of the exhibit halls, making sketches of the artworks and items on display.

We began in the Museum of Natural History's Halls of North American Wildlife, African Wildlife and Botany.

The following week, we moved on to the Hall of Architecture, where we found statuary, columns and facades to illustrate in our sketchbooks.

The museums allow visitors to draw, but only with graphite pencils and sketchbooks small enough to fit on your lap.

Those requirements make copying oil paintings particularly challenging.  

We invite our intuition to lead us in figuring out how to create the textures and values we see in the paintings with our pencils.

My sketch of the painting "Head of a Woman" by Eugene Carriere.

You can see the original here:

https://collection.carnegieart.org/objects/247c15b1-2c83-4972-a02e-8310762d5464

Drawing in the museum is an age-old technique for learning from the masters.  When you draw something, you see it more deeply than when you simply glance by it.

When was the last time you went to a museum?  Why not take a pencil and a sketch book along with you and sketch your favorite artwork?