A gem from 1995, John Lidzey's Watercolour Workshop has been a great discovery for my watercolor education.
so you learn as you go.
A gem from 1995, John Lidzey's Watercolour Workshop has been a great discovery for my watercolor education.
so you learn as you go.
Sometimes you want to do something creative, something playful & relaxing, and not too complicated.
I have the ideal activity -- Create a mini color journal!
With only 4 small pages to cover, it's perfect to fill a summer hour or two.

Over top of the white crayon, I painted a scene loosely with watercolor paints. Any type of watercolors or watery ink would work. The waxy crayon repels the watery paint, so your crayon design shows through magically.
After the watercolors dried, I added more designs with alcohol markers & paint pens.
Use whatever materials you have: Sharpies, markers, gel pens, or colored pencils would work well. You could even use the other crayons in the pack over top of the watercolor paint.
In some places, I didn't press down hard enough with the white crayon, so it was washed out by the watercolors. I strengthened the line with a white paint pen in these cases.
Ready to make your own mini color journal?
Here's a short video on how to make your own little booklet out of a single sheet of paper. The video uses copy paper. I used Canson XL 140# cold-pressed watercolor paper. You'll also need scissors and a glue stick or other glue.
I love playing with colors simply for the sake of celebrating color itself. I find it's a great form of relaxation and self care for me.
I hope it does the same for you!
Among the lovely offerings during a transatlantic crossing on the Queen Mary 2 is an array of speakers and classes.
One thing I like about still life painting is that you can choose whatever portion of the scene you'd like to paint. I chose to paint the whole scene, but you could always leave out the wine glass or select just the fruit.
Why not give it a try? You can paint from this photo or set up your own still life!
Many thanks to Sophia for her uplifting performance!
In the final week of my class Painting Flowers with Pastels, I picked zinnias, Queen Anne's lace, mint & clover from my own gardens and fields for my students to paint. Here's my classroom demonstration sketch.
I used a combination of Rembrandt, Grumbacher, Schmincke and Sennelier soft pastels -- a collection of materials I have picked up secondhand at places like the Pittsburgh Center for Creative Reuse.
I have a habit of bringing in a variety of different brands of materials to my classes, and inviting my students to try them out. I think it's valuable to "test-drive" high quality art supplies before investing in them.
I must admit, the few Sennelier pastels in my collection are a dream to work with -- soft, with dense, rich colors.
I hope you'll join me for an art class. The Community College of Beaver County schedule of fall classes is online and open for sign-ups. You can find my art classes here:
https://ccbc.coursestorm.com/category/arts
During the 2-minute gestures, David used a bright fabric flag on a staff as a prop.
We moved on to 5-minute poses, and I was able to add complexity to my drawings.
The short gestures helped me to warm up, and the 10-minute poses felt extravagantly long.
We finished with some 15-minute poses, including one with a bag of snack food.
I'm grateful to David for his creativity in presenting these beautiful poses.
I've been teaching a class in painting flowers with pastels at the Community College of Beaver County.
Each week, I buy flowers for class, and bring in pastel paper to match. We sketch and paint the flowers while listening to classical music.
This week, we drew bright, summery sunflowers. The rich oranges and yellows felt inspiring and sunny.
If you'd like to take a class with me, check out my classes page here:
https://betsyblissart.blogspot.com/p/online-art-classes.html