It felt good to celebrate the stormy weather.
What would you like to celebrate with a drawing or painting? What brings you joy? I hope you paint or draw it this week!
It felt good to celebrate the stormy weather.
What would you like to celebrate with a drawing or painting? What brings you joy? I hope you paint or draw it this week!
The last blooms in the garden add their splash of color to the larger autumnal celebration. The Foxgloves, who have raised their bright flowery faces all summer long, go on blooming even through light frosts.
Apparently spared from the frost because it grows so close to the house, Blue Salvia blooms vibrantly, too.
I sat on my porch stoop one recent afternoon and soaked up the sunshine while sketching with my Lamy fountain pen and a travel set of watercolor paints.
It's amazing to me how calming a few sketches can be, as I tune into the twists and turns down each branching stem. Following the shapes of flowers and leaves with my pen, and spilling in color, the rest of the world recedes, troubles recede, and I am mindful of just the present moment.
Focusing on drawing a scene just for the sake of the experience takes away any pressure to make a "pretty" drawing, and lets you experiment with different marks, fainter or bolder lines, and new color combinations.
I love to draw and paint flowers, and find the process relaxing. You will find your own magic in your favorite thing to draw, your favorite materials to use. Of course, it takes practice. The trick is to experiment with subjects you think you'd like to draw, trying different techniques, and filling up sketchbook pages. With each page, you make connections and discoveries and build your skills.
The more often you sketch and create, the easier it comes to you.
A great way to start sketching or painting a leaf is by finding the vein structure. It maps out the shape of the leaf from the inside out.
Beginning with a wash of cool yellow brightens the colors to come. When the yellow layer is dry, you can add reds, like this Alizarin Crimson mixed with a little Burnt Sienna.
Taking each section of the leaf and working wet-in-wet allows the many hues within each leaf to merge gracefully, and prevents hard edges.
Working wet-in-wet with complimentary colors Alizarin Crimson and Sap Green can become a playful dance. Keeping the two colors from touching prevents muddy browns, and the bold contrast of red against green catches the viewer's eye.
I recently watched this inspiring YouTube video by Marie-Noëlle Wurm on making "Ugly Art:"
https://www.youtube.com/watch?v=kngc8LXYdkc
She invites us to intentionally make art we expect to be ugly, and in doing so, releasing ourselves from the expectation that we'll make something pretty, acceptable, worthy, or popular.
I tried it & had fun! When I meant to make my bird drawings ugly, I stopped judging every line and nuance as I made it. The first one (top) I feel is truly ugly. I don't really like it, but it opened the way for me to experiment & quickly draw these other 3 birds.
Each one has its own personality. This one seems like a mashup of Foghorn Leghorn and a magpie.