Monday, October 21, 2024

Stormy Barn Scene

On a late afternoon walk, I snapped this barn and stormy sky photo with my cell phone.
The long drought has made me grateful for every storm cloud and every drop of rain.
I began with a pencil sketch that I added pen and ink to with my Lamy Safari fountain pen. The indelible ink allowed me to paint right over top of the ink once it was dry.
Using French Ultramarine Blue and a touch of Burnt Umber, I made the blue gray tints for the barn, the sky and the shadows.  French Ultramarine Blue and Winsor Yellow created the green grass wash, and I added New Gamboge Yellow with touches of Cadmium Red to create the yellow and orange foliage.  Phthalo Blue and Burnt Sienna mixed to make the darker piney greens, and the dead grasses were made with a touch of Yellow Ochre or Burnt Sienna here and there.

It felt good to celebrate the stormy weather.

What would you like to celebrate with a drawing or painting?  What brings you joy?  I hope you paint or draw it this week!

Happy Creating!

Saturday, October 19, 2024

Nature Journaling in the Garden

The last blooms in the garden add their splash of color to the larger autumnal celebration.  The Foxgloves, who have raised their bright flowery faces all summer long, go on blooming even through light frosts.

Apparently spared from the frost because it grows so close to the house, Blue Salvia blooms vibrantly, too.

I sat on my porch stoop one recent afternoon and soaked up the sunshine while sketching with my Lamy fountain pen and a travel set of watercolor paints.

It's amazing to me how calming a few sketches can be, as I tune into the twists and turns down each branching stem.  Following the shapes of flowers and leaves with my pen, and spilling in color, the rest of the world recedes, troubles recede, and I am mindful of just the present moment.

Focusing on drawing a scene just for the sake of the experience takes away any pressure to make a "pretty" drawing, and lets you experiment with different marks, fainter or bolder lines, and new color combinations.  

I love to draw and paint flowers, and find the process relaxing.  You will find your own magic in your  favorite thing to draw, your favorite materials to use. Of course, it takes practice. The trick is to experiment with subjects you think you'd like to draw, trying different techniques, and filling up sketchbook pages. With each page, you make connections and discoveries and build your skills.  

The more often you sketch and create, the easier it comes to you. 

Happy Creating!

Thursday, October 17, 2024

Fall Color Hike

A sunny autumn day found me hiking in the state park with a pack of art supplies.  Combining nature time, exercise and creativity is a favorite self care activity of mine.  I sketched this scene using a small travel watercolor kit and a water brush pen, allowing the scene to be messy and playful.
This photo of the scene shows that I left out lots of details, and wasn't accurate.
I always remind my students, 
You are not a camera; you're an artist! 
A log alongside the trail made a comfy seat.
I made a pencil sketch to get the proportions and details in the right places on this beech leaf.
Here are some photos I took along my hike.  I invite you to sketch, paint, draw or create with them in your own way.



Happy Creating!

Tuesday, October 15, 2024

Painting an Autumn Leaf Step-by-Step in Watercolor

The cooler weather of autumn brings brilliant foliage to inspire us artists.  These are the days I can't help but pick up a fist full of colorful leaves on my walks.

A great way to start sketching or painting a leaf is by finding the vein structure. It maps out the shape of the leaf from the inside out.

Beginning with a wash of cool yellow brightens the colors to come.  When the yellow layer is dry, you can add reds, like this Alizarin Crimson mixed with a little Burnt Sienna.

Taking each section of the leaf and working wet-in-wet allows the many hues within each leaf to merge gracefully, and prevents hard edges.

Working wet-in-wet with complimentary colors Alizarin Crimson and Sap Green can become a playful dance. Keeping the two colors from touching prevents muddy browns, and the bold contrast of red against green catches the viewer's eye.

Mixing Burnt Umber and Ultramarine Blue created rich dark brown and black to add the crumpled, bruised bits in.  The little details of bug-chewed, spotted and damaged bits is one of my favorite parts.  And those details brings the leaf to life.
Ultramarine Blue mixed with a touch of Burnt Umber created a wonderful shadow color to land the leaf on a flat surface.

If you like, you can add more details on top of your watercolor leaf with colored pencils once the watercolor is dry.

If you love details, a single fall leaf provides a limited subject to dive into, letting yourself explore every splotch of color, every bug bite and every nuance.

Happy Creating!

Monday, October 14, 2024

Pencil Drawing Class: Your Eyes are Your Most Important Tool!

We had a wonderful first session in Beginner's Pencil Drawing class, testing out our supplies and trying out techniques.
I asked everyone to bring in a small object they loved, and we tried drawing it from memory first (my demo is below), then drawing it from observation (above).
What a huge difference using our eyes made in seeing the real form and details!
This was my object - a piece of wood that looks like an award a fairy might give a child for swiftly racing down a woodland trail.
We also played with blind contour drawing to connect our eyes and hands.  We only looked at the object we were drawing, and never at our papers.  The result?  Weird drawings, yet within the chaos were real, alive lines describing part of what we drew. Below is my blind drawing of a feather.
After the blind drawing, we were all practiced up, and allowed ourselves to steal quick glances at our papers so that we could align everything in a more organized way.

Many thanks to my students for their willingness to try new things and for their enthusiasm!
Looking forward to our next class!

Happy Creating!

Sunday, October 13, 2024

Stories in an Autumn Nature Journal

The beauty of a nature journal is that you can tuck it into a bag and tote it with you on a hike or picnic.  You can make sketches that tell a story, even if you don't feel that they're great drawings.

I was sketching this leaf on a hike with my husband, enjoying sitting at a picnic table under a forest of tall oak trees, when we started to notice large acorns dropping all around us.  Each nut hit with a sharp Thwack!
Concerned that the next acorn might clock us on the noggin, we resumed our hike, backtracking to an open field we had passed.  We found a bench at the edge of the field, where we sat and I sketched and jotted down the story of our hike.
The next morning, I took hot tea outside on a cool morning and watched the sun rise over the neighbor's pasture.  I made notes of the sounds I heard and sketched a small part of the sunrise scene.

I don't consider any of these drawings to be great drawings, but I love them because each one tells the story of a moment in nature. I can return to them and remember my hike with my husband, or the bold contrasts of backlit apple trees in an October sunrise.

This stillness in nature feeds my soul, and adding color and words to the experience only deepens it.

I hope you get a chance to sketch a bit of nature this week and add the words of your own story.

Happy Creating!

Friday, October 11, 2024

Make "Bad" Art!

I recently watched this inspiring YouTube video by Marie-Noëlle Wurm on making "Ugly Art:"  

https://www.youtube.com/watch?v=kngc8LXYdkc

She invites us to intentionally make art we expect to be ugly, and in doing so, releasing ourselves from the expectation that we'll make something pretty, acceptable, worthy, or popular. 

I tried it & had fun!  When I meant to make my bird drawings ugly, I stopped judging every line and nuance as I made it.  The first one (top) I feel is truly ugly.  I don't really like it, but it opened the way for me to experiment & quickly draw these other 3 birds.

Each one has its own personality. This one seems like a mashup of Foghorn Leghorn and a magpie.

This one feels childlike and hopeful sailing through the sky like a character from a Roald Dahl story.
The last one seems like a Robin/Bluebird combination ... with a worm.
After I made these, aside from laughing a bit, I realized that each had qualities I liked.

I recommend watching Marie-Noëlle Wurm's video and trying it yourself.  It's a playful way to start an art session.  It could be a warm-up for more drawing or just an art break for self care & laughter.

After you make your drawings, step back and notice little things you like about your creations. Because you created freely without expectation, you might make discoveries.

I hope you try your hand at making "bad" art.

Happy Creating!